MidJourney、ChatGPT、網頁、大圖輸出、客製面紙包、廣告單、旗幟、絕緣膠帶
於高雄鹽埕第一市場，「覓得居」為展期一個月的展售中心。
取諧音自MidJourney
這是一個不存在的建案，所有的文案與圖面皆由AI工具所產生。
「有土斯有財」是亞洲人根深蒂固的概念，在樓房興起的台灣房市，觀察各個建案的命名時，不難看出販售「遠方美好」的行銷邏輯，諸如：萌馬特莊園、八黎世界、維也納花園等遙想。作為不動產，呼吸著該地的空氣、生長於斯地，卻要活在遠方的遙想、透過那個可能從未見過的彼端，才能表現那份高貴。
明明生活應該是向下扎根，深究這個現象，我想是來自於「台灣人」的身份認同問題。自早期移民所經歷的顛沛流離，直至現今的後代來說，除了身份上的認同、還有終身無殼的無力感。而2023迎來AI的創造力及高度生產力，更是另一層次的生存壓力。說到棲身的地方，似乎和「覓得居」一樣，是一個從不存在的建案。
展出地點
正白#FFFFFF，作為獨立運作的藝術空間，位於鹽埕市場中，櫥窗式的設計充分利用其三角窗的特性。這裡每個月份都換上不同的展覽，正白#FFFFFF並非官方展示空間，旁邊都是做生意的地方，我定義藝術為一種認知上的傳遞，而市場最大宗的交換就是買賣，覓得居作為一個建案，在此進行概念上的買賣。
In the heart of Kaohsiung's Yancheng traditional market, "覓得居" stands as an exhibition and sales center, open for a month-long showcase.
A playful phonetic nod to "MidJourney,"
Represents a (Un)Real estate venture, with images and text crafted using generative AI tools.
The notion of "有土斯有財" (owning land equals possessing wealth) is deeply rooted in Asian culture. In Taiwan's thriving real estate landscape, there appears to be a certain logic in marketing newly built properties. They entice with an image of "distant beauty," bearing names like "Manor de Montmartre," "World of Paris," and "Vienna Garden," conjuring dreams of faraway places. It seems we find ourselves living in distant fantasies, is the way we could reach that nobility.
I believe this phenomenon arises from the identity challenges of being Taiwanese. Passing from the early immigrant ancestors, to the offsprings nowadays, not only self-identity crisis is bothering, also difficulties to own a house brings a perpetual sense of powerlessness. With the advent of AI creativity and heightened productivity in 2023, another existential pressure has emerged. When it comes to seeking a place to call home, it appears much like "覓得居,"(Seeking a place to stay) it is an (Un)real estate that exists only in imagination.
Where this Project was held
The showcase center's location, "正白#FFFFFF", operates independently as an art space within the Yancheng traditional market. Its storefront design maximizes the use of triangular windows. Every month, diverse exhibitions take place behind the glass walls. "正白#FFFFFF" is not an official museum; it is nestled amidst local businesses. I define art as a form of cognitive transmission, and the primary mode of exchange in this market is the transaction of buying and selling. "覓得居," as a project, partakes in conceptual transactions within this space.